Marie-Ève ​​Lacasse’s “Autobiography of the Stranger”: Finding Yourself Through Literature

Having left Quebec for 17 years, Marie-Ève ​​Lacasse wondered about her identity, the reasons that led her to leave to never return, and all the changes that have taken place in her life in recent years. years. In his fifth book, Autobiography of the stranger, she tries to understand the world that made it, and examines its relationship to the body, love, motherhood, literature.

Joined in Paris during the confinement period, Marie-Ève ​​Lacasse comments on her new book with great kindness. With a magnificent, sensitive and clear pen, she tackles different themes: the quest for identity, love, family life and the role of mother, the impact of breakups. Universal subjects.

As an artist, she says, she wanted to explore a new way of writing, which is in a different vein than before.

“It’s much closer to self-fiction and much closer to a truth from the first person, something that I’ve forbidden myself so far, for various reasons. I wanted to be loved, I wanted to protect mine, I wanted to be hidden in fiction. ”

At one point, this book imposed itself. “I did everything I could not do it and I started to write it, almost to my will, as a kind of parallel project.” She didn’t know if this project was going to take the form of a newspaper, a play, or something else.

“I tried to get closer to the bigger truth, even if it is a bit presumptuous, and to answer a question that is difficult for me: why I left, why I metamorphosed, and why I did not don’t come back. “

Self discovery

For the record, Marie-Ève ​​Lacasse grew up in the Outaouais and left Quebec to settle in Paris, several years ago. She had to adapt. “These were questions I had no answers to before I started this book, and now I have a little more. I think it is, in the end, a personal project of self-discovery – the noblest ambition in writing. It’s also a real literary project of formal exploration of style. ”

She allowed herself to say very personal things, and to do so without compromise, “for the text, for the literature, for my readers,” she adds. It’s like a kind of confidence, something I would say on the pillow. It’s really about viewing my readers as friends – people I can talk to and talk to me. ”

Like many people, Marie-Ève ​​said that there were times in her life when she felt very alone. “The only time I felt less alone was when I read books by authors who spoke to me in much the same way, telling me their secrets. I think I wanted to do the same. Get out of loneliness by telling the flaws, which makes you feel fragile, not up to par, disappointing or shabby. It’s universal, I think. ”


The COVID-19 crisis led her to change her relationship to her work, to money, and to rethink her way of living literature in the city. “I am thinking of taking the national education competitions to become a French teacher, because I think that if there is something that can be useful, it is teaching, education, the transmission of the language , the transmission of beauty and literature. “

► Marie-Ève ​​Lacasse was born in Outaouais.

► At 14, she won a literary competition which made her discover France and she settled permanently in Paris after her studies at the Sorbonne.

► She published Peggy in the headlights, Special Jury Prize Simone Veil 2017.

Autobiography of the stranger is his fifth book.


“I never understood this expression of” at home “, to feel good” at home “. In France, I am a foreigner; but I am a stranger wherever I go and I have unfortunately found no place or even any being with which I can glimpse a form of rest. What I discover while writing is that there is no home. The house, this utopian place so longed for, is the books of others and perhaps a little mine. ”

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